NONOTAK
Audiovisual ArtLight ArtSound ArtInstallation ArtPerformance ArtDigital ArtKinetic Art

NONOTAK

France

Geometric light and sound environments dissolving the boundary between real and virtual space.

CourtesyNONOTAK

2011

Studio founded, Paris

Tate Britain

HORIZON world premiere, 2015

ADC Young Guns

Winner, 2016 · Forbes 30 Under 30 Europe

Biography

Founded in Paris in 2011 by visual artist Noemi Schipfer and architect-musician Takami Nakamoto, NONOTAK has established itself as one of the leading voices in contemporary audiovisual installation. Bringing together Schipfer's background in visual composition and Nakamoto's experience in architecture and electronic music, the duo creates immersive environments in which light, sound and structure operate as a single spatial language.

Their practice emerged through an architectural commission before expanding into installations and live performances that investigate the relationship between geometry, perception and movement. Using carefully choreographed projections, custom lighting systems, architectural frameworks and spatial sound, NONOTAK constructs temporary environments that appear to dissolve, extend or reconfigure physical architecture. Rather than decorating space, their work generates entirely new spatial experiences through the precise orchestration of image, sound and form.

Presented internationally at institutions and festivals including Tate Britain, Sónar, MUTEK, STRP, CTM, Melbourne Music Week and Cineum Cannes, the duo has developed a highly recognisable artistic language characterised by monochromatic palettes, rhythmic geometry and exceptional compositional discipline. Across installations such as DAYDREAM, NARCISSE, ZERO POINT, HIDDEN SHADOWS, SORA and MOON, NONOTAK continues to expand the possibilities of immersive art by demonstrating how minimal visual systems can produce profound perceptual transformation.

Practice

NONOTAK creates immersive environments where architecture, light and sound become inseparable components of a single spatial composition. Working across installation, audiovisual performance and architectural intervention, the duo constructs temporary structures that challenge conventional perceptions of volume, depth and movement through carefully orchestrated geometric systems.

Geometry forms the foundation of every project. Lines, planes, light and shadow are composed with architectural precision, allowing physical structures to dissolve into virtual space while maintaining a strong sense of material presence. Sound functions not as accompaniment but as an equal architectural element, shaping rhythm, duration and the bodily experience of each environment.

Precision is fundamental to the practice. Projection, LED lighting, haze, custom software and spatial audio are employed with remarkable restraint, allowing simple visual languages to generate complex perceptual effects. Whether experienced as continuous installations or live performances, NONOTAK's works demonstrate how carefully calibrated relationships between light, sound and architecture can fundamentally reshape human experience of space.

MOLTEN Perspective

NONOTAK has developed one of the most refined visual languages in contemporary immersive art. Through extraordinary precision and restraint, the duo demonstrates that immersive experiences do not require visual excess; instead, they emerge through the careful orchestration of geometry, rhythm and spatial composition. Their work transforms architecture into a dynamic medium where perception itself becomes the primary material.

What distinguishes the practice is the seamless integration of visual art, architecture and music. Rather than combining separate disciplines, NONOTAK composes environments in which sound, light and structure evolve together as a single spatial instrument. The resulting installations possess a remarkable clarity that allows even minimal interventions to profoundly alter how audiences perceive scale, depth and movement.

Within the MOLTEN network, NONOTAK represents an important benchmark for contemporary audiovisual installation. Their practice demonstrates that immersive art can achieve extraordinary emotional and spatial impact through compositional discipline alone, expanding the field beyond technological spectacle toward an architecture of perception built from light, sound and time.

Explore the Artist

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Themes

Perception · Architecture · Space · Light · Sound · Rhythm · Geometry & Pattern · Movement

Commissioning Information

Suitable forMuseum & Exhibition Contexts · Cultural Institution Commissions · Light Festivals · Gallery Contexts · Performance Venues · Architectural Commissions · Civic & Public Realm Projects · Biennales · Architectural Installations · Public Art Commissions · Immersive Exhibitions

IndustriesArts & Culture · Museums · Festivals · Architecture · Performing Arts · Music · Entertainment · Public Realm · Technology

Project TypesCommission · Permanent Installation · Temporary Installation · Festival · Exhibition · Touring Work · Performance · Public Art Program · Live Audiovisual Performance · Architectural Artwork · Kinetic Sculpture

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